A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

暂无剧情简介

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

The story of those who see and make films, and the cinema that brings them together.

The story of those who see and make films, and the cinema that brings them together.

In the face of executives insisting on selling UFA, producer Kaufmann, infused with the same spirit as President Klitzsch, declares that they will make a low-budget entertainment film that the public is sure to love. Who will take on such an audacious task? When Kaufmann himself is shuttered, one man takes up the challenge—Theo Wegmann, an assistant director at UFA. Foreseeing the end of the age of silent films, Theo suggests making a talking movie with singing. If Hollywood can do it, so can we here in Berlin! With the condition that he gets to choose his cast and staff, Theo promises Kaufmann that he will produce a low-budget movie that will entertain everyone and be a major hit.